Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Saturday, 9 February 2013

Tube Riders: Exile - What happens next?

Yesterday, after five and a half months, of writing, I finished Part 2 in my Tube Riders series, titled Exile. It rocked in at 145,166 words or in readers' terms 530 pages.

So, the first draft is done. What happens next?

I see a lot of writers just rushing their books out, sending their first drafts off to an editor the day after finishing. I'm going to go old skool with mine and leave it on a virtual shelf to mature for a bit. The draft is done, but I have to decide if I'm really happy with the story as it is. For example, less than twelve hours after finishing I came up with a couple of small changes to make in the last scene, including one important confrontation that wasn't in the original manuscript. These are changes I'm going to make and there will be others, too. My drafts tend to be fairly sparse, so there's a lot of room to add stuff in.

I'm aiming to let it sit for about six weeks before I actually read it over. That should be  enough time for me to look at it more objectively. Once I start reading I'll aim to tighten the existing text, add more detail, get rid of as many basic typos as I can (my first drafts are littered) make sure the characters - particularly the new ones - maintain the same "voice" all the way through, hunt down and kill any plot holes, and try to make some of the more unbelievable sections as believable as possible.

Then, once I'm satisfied with it, I'm going to make it ready for the world.

1. Beta readers

These will be a small group of people who get to read through the draft. I have a couple of volunteers but I'd like five or six so if anyone else would like to ...

These people will have a direct influence on the final story. They get to tell me which bits sucked, which bits are stupid, which characters are lame. If I agree, I'll fix it.  If they all say the same thing and I don't agree, I'll probably still fix it. While it's unlikely I'll agree to bring a dead character back to life, or a kill a character that survives, I could be persuaded to kill them differently, or give them a bit more of a beating in lieu of actually killing them. I'm open to suggestions!

2. Copy editing

I edited Tube Riders 1 myself and I kind of got away with it because it had been three years since I had looked at it and the whole manuscript felt like someone else had written it. I was able to edit it as if I was editing a book for a stranger, but time it'll be a little more difficult, because I don't want to wait three years before getting this book out. A copy editor will aim to tighten up the text in sections I've missed, spot repeated words, that kind of thing.

3. Proofreading 

I may or may not get the same person to do the proofreading, but I learned the hard way that you can't do it yourself.  When I first put Tube Riders out last year it had more than a 100 errors in it, and it took me six different volunteer proofreaders to get them all out. This time I'm going to get it done before I release the book. It's way too important to go out with errors in this time. I'm learning slowly, but I am learning.

4. Formatting

Same as the above - I put Tube Riders out myself and the first edition had some bad formatting errors, sections that were all in bold, sections that didn't have intents, etc. Again, I'll probably pay someone to do it for me this time.

5. Cover!

Obviously a book needs a cover. I'll probably start planning the cover while I'm doing all of the above so that there is no delay once the book's ready. For this one I'm going to get Marta Banks on the cover as she's my leading lady. Not sure how yet, but it'll make a nice change from the scary Huntsman on part 1.

6. Release

I'm going to put the book out on all formats this time, not exclusively through Amazon. This will mean that I can't do free promos, but I will be able to do bargain books and also giveaways I arrange myself.  While I like the KDP free promos as a way of reaching a wider audience, I've been hit by far too many bad reviews by people who don't even like my type of book yet just download it because it's free and then complain about it. I've had enough of that. If a sci-fi fan hates it that's fine, but I'm tired of people who don't even like sci-fi slamming it because it somehow didn't manage to transcend a genre that they don't even enjoy reading. Tube Riders 1 will also be coming out of Select at the next opportunity, which is late Feb. My standalone books will stay in for now, as I don't mind a hit or two on those.

What am I going to do until March?

Write! I have a ton of stuff that's been put on the backburner while I got this done. I have a novella to finish, a short story collection and two novels to edit for starters. Then I'm going to play around about, maybe write some poetry, or a few stories about my cat ... We'll see. Once this book is done I'll get back to work on part three. Looking forward to it!

CW
10th Feb 2013

Wednesday, 3 October 2012

Humour in The Tube Riders

Okay, so its a pretty bleak novel, but there are some nuggets of humour in The Tube Riders.

Here's one of my favourite scenes, Frank vs Switch, from Chapter Twelve.



The others stood around while Frank examined Switch.  With his bloody t-shirt off and the wound wiped down, Marta was relieved the blood had made it look worse than it was.  A thin cut about two inches long clung to the side of his hip, a little wider at the top than the bottom.
‘I fucking twisted on it and pushed it in deeper,’ Switch said, as way of explanation.
‘You were lucky,’ Frank said, prodding it with a surgical instrument.  It went in through the fat on your lower back and got stuck in the muscle here,’ he said, prodding Switch’s side and making him wince.  ‘It was a small knife, I take it?’
‘Yeah.’
‘You pulled it out yourself?’
‘Yeah.’
‘You still got it?’
‘In my one remaining shoe.’  He kicked it off and held it up.
Marta smiled in spite of herself.  Typical Switch.
Frank plucked it out and held it up to the light.  ‘Nice,’ he said.  ‘Thrower.  Proper one, too.’
‘You wanna buy it?’
Frank smiled.  He looked around at the others.  ‘Well, I’m guessing Paul said you had money just to get you in the door.  ‘I’ll trade it for stitching you up.’
‘Done.’
Frank got to work cleaning the wound.  Switch yelped in pain as he dabbed at the exposed flesh with TCP antiseptic liquid, but the only thing he could offer to numb the pain was a shot of some cheap homebrewed whiskey.
‘I don’t know what’s worse, the pain or this piss,’ Switch growled, gulping it down.  Simon, who took an experimental swig after him, couldn’t testify to the pain but had to agree the taste was pretty bad.
‘I could put you under, but I don’t think you’ve got enough of those knives to pay me for it,’ Frank said.  ‘And plus, by the look of you kids, I’d say you want this chump on his feet pretty soon.’
Their silence was affirmation.
Frank sewed Switch up, dressed the injury and gave him some antibiotics to keep it free of infection.  ‘Do not lose these,’ he said.  ‘Take one a day, and do not forget.  If it starts to itch, or pus starts to come out of the wound, double up for a day.  It should seal itself over in a week, and then you’re safe.  Until then, take care.  If it gets infected and you can’t get to a doctor, well, you’re fucked.’  Frank cackled.  Marta couldn’t tell how serious he was.
Switch climbed down from the table.  ‘Thanks old man, I owe you one.’
Frank raised an eyebrow.  ‘Many people say that, few deliver.’
‘Well, one day I might.’
‘I hope so.  Take it easy, kid.’
‘And you.’
Switch followed Simon and Jess out into the hall.  Frank turned to Paul.  ‘How’s your brother?’
Paul shrugged.  ‘Still there.  Starting to raise hell.’
Frank nodded.  ‘Good, good.  Keep him alive, he’ll be leading the revolution one day.’  He patted Paul’s shoulder and started to laugh again.
‘Thank you for your help,’ Marta said to Frank in the doorway.
‘No problem, young lady,’ he said.  ‘I just suggest that whatever you were doing for that to happen you try to avoid it in the future.’
‘We’ll try,’ Marta said.  ‘If only it was that easy.’
Frank gazed off into the distance.  His eyes grew suddenly wistful.  ‘Don’t give up on this country just yet,’ he said.  ‘Keep your heads down, one day them dark clouds are gonna clear.’
‘We hope so,’ Marta said.
Frank nodded.  He looked at Switch.  ‘You.  Come here.’
Switch sauntered closer.  ‘Yeah, what?’
Before Marta could blink Frank’s hand had gone to Switch’s throat, the throwing knife held there, hard against the skin.  Switch’s good eye went wide.  There was a collective intake of breath, and then Frank gave a gap-toothed smile and cackled a laugh.  He dropped his hand.  ‘You’ll need this metal more than I will, I think,’ he said, holding out the knife, handle first.  ‘A present from an old man.’
Switch took the offered knife and tucked it under his shirt, his composure once more unruffled.  ‘Thanks.  I don’t suppose you have any spare shoes around?’
Frank pouted.  ‘I doubt we’re the same size, kid.’  He looked around at the others.  ‘Now, if I can give you kids some advice, stay on your guard.  Don’t trust anyone.’  He cocked his head and flashed a smile.  ‘Except me.’
      With that he nodded goodbye and went back inside.  The door slammed behind them without sentiment and several latches thudded back across.


Although he only appears in two early scenes, Frank is one of my favourite characters.  While I can't say exactly where or when, it's pretty likely he'll pop up in later books.

The Tube Riders (full novel) is free October 5th through October 7th.

CW
4th Oct 2012


Saturday, 29 September 2012

Tube Riders new cover

I loved the train, but unfortunately the readers didn't (or at least no one bought it with the train on the front) so it had to go.

However, I will keep it up as the banner on my Facebook page for now, partly because its a great picture by a really talented artist and because I like it.

I've been thinking to change the cover of Tube Riders for a while, mainly because I didn't feel that it really reflected the contents of the book.  While the original train picture, titled Final Train (just look at it, is that not a fantastic picture?  Incidentally, this is the one I was hoping to get for part two), was supposed to suggest a train that takes you to hell or something like that, when I had to crop it for the ebook cover it lost a lot of its fearsomeness and became, well, just a train.

Initially I considered doing a new cover myself, but I have big plans for Tube Riders and the reviews I've got so far suggest those plans might be justified, and felt that it was time to step up and get a pro to do it.  A writer friend of mine, Jenny Twist (thanks Jenny!), suggested Su at Novel Prevue.

Not only did Su really understand what I wanted but she was quick, cheap and easy to work with.  I still can't believe she can be doing this for anything less than love at those prices, and I'd strongly urge any writer on a budget to check her out.  Her prices might be budget but her work isn't.

Anyway, here is the new ebook cover -


This one really ramps up the scariness.  That evil guy in the middle is a Huntsman, one of the government's near uncontrollable, tracking/killing machines, a group of which are sent after the Tube Riders.  And there's a train on the front as well.  Su did me a slightly different version with wires coming out of the guy's head, but I think I like the chip best.  Kidnapped off the streets of London, the Huntsmen are people who have been genetically and physically altered to become part dog, part machine.  It looks a little more like a horror, but while its set in the near future there are some pretty bleak scenes, particularly those involving the Huntsmen.  My mother found it a tough read, let's put it that way.

And here's the paperback -


 While I actually liked the original Createspace cover more than the original ebook one, this new version just takes it to a different level.   It's currently in review, so hopefully will be available in a couple of days.

Right, now back to writing Part 2.  I'm not one of those writers who tends to hide their progress, and I'm happy to say that I'm closing on 150 pages now, a little over a month after starting.  You won't believe what Switch is about to blow up this time ...

CW
30th Sept 2012



Monday, 3 September 2012

All about Tube Riding


What is “Tube Riding”?

I actually got asked this the other day, so I thought I would explain to you the rather dangerous practice that is at the centre of my dystopian novel, The Tube Riders.

## Disclaimer – “Tube Riding” is a fictional sport performed by a very small number of people in 2075 London.  It is highly dangerous.  DO NOT attempt to do it for real.  You could quite possibly die and I, the author of The Tube Riders, will not be held legally responsible.  Trust me on this.  Just watch the movie. ##

A “tube” is a nickname for a subway/underground train.  The Tube Riders are a group of young people (there could be older people, but they probably wouldn’t be able to handle it) who “surf” the sides of these trains.  However, while the novel opens with them tube riding in the London Underground, it is possible to ride any train providing the prerequisites are met.

Prerequisites for Tube Riding –

1.      A wooden board, known as a “clawboard”.  Any flat piece of wood will do, but it must have metal handles or leather straps (preferably both) attached to one side, and a curved hook on the other.  Some clawboards have two or more hooks, others have one big one.
2.      Somewhere you can jump on the side of the trains without getting arrested.  The Tube Riders in the novel use the abandoned London Underground Station of St Cannerwells.  Now, don’t go looking for it, because St Cannerwells doesn’t exist.  Yet (the novel is set in 2075).
3.      A train.  Obviously.  Preferably one going pretty fast.  The benefit of St Cannerwells is that it is abandoned and thus the trains don’t stop.  They move through the station at speed, meaning the Tube Riders get a very exhilarating ride.
4.      Some old mattresses or pillows to land on when you jump off.  This is non-essential, as with correct technique it is possible to leap off and roll.  However, as Marta explains in the book, “it hurts like hell”.

How to Ride and Dismount

As the train enters the station, you must run at a diagonal angle in towards it, as demonstrated by Marta in the first chapter of the book.  You hold your board out in front of you.  As you come alongside, you leap up towards the train, angling your board towards the metal drainage rail that is just above the window.  Not all trains have this, so check beforehand.

If successful (and you really don’t want to miss), you stand with your feet braced apart just below the window, leaning back.  Give any commuters a little grin, then get ready for the dismount.

It is very important that you get off before the train goes into the tunnel.  Some of the tunnels are very tight and you could die.  When you are nearing the breakfall mats at the end of the platform, push your board in and up.  It will be held against the rail by the force of motion and you have to counteract it.

Immediately duck your head and arms in.  Land on your back on the breakfall mats and be thankful that you are still alive.

The Aim of Tube Riding

While in the book, Switch describes Tube Riding as "better than any drug", obviously, the main aim is not to die.  Several deaths have occurred, mainly when a rider misses what is known as the “hook” or the “mount”, and gets caught between the edge of the platform and the moving train.  Some platforms have smaller gaps than others, but you really want to make that hook.

However, once successfully on the train, the aim is to dismount as close to the wall as possible, as indicated by painted or chalk marks on the platform edge.  A score over thirty feet is novice, fifteen to thirty good, ten to fifteen exceptional.  As mentioned in the book, no one has done under ten feet and lived.

You can check your own scores, but a score is not official unless it has been verified by at least one other Tube Rider.

More than anything, though, for the Tube Riders, their dangerous sport is something that holds them together in the chaotic days of Mega Britain.  None of them have much family left, so it holds them together.  It will also be needed to save them when they fall foul of the government.

Lastly, that disclaimer again.  Remember, Tube Riding is a FICTIONAL sport.  DO NOT try it EVER.  NOT ONCE.  I am not responsible.

The Tube Riders is available now from Amazon as an ebook or paperback.

CW
September 4th 2012