Showing posts with label The Tube Riders Trilogy. Show all posts
Showing posts with label The Tube Riders Trilogy. Show all posts

Tuesday, 6 January 2015

Clones

Every time I have an "am I a good writer or not?" moment, I pull out this very short story I wrote in one inspired hour back in 2012. It doesn't matter what anyone else thinks about it, as far as I'm concerned this is as close as I've ever come to writing something perfect. It was heavily inspired by Ray Bradbury's The Lake, the tone of which I was shamelessly trying to emulate. Bradbury's story is world famous, my little imitation has been read by about eight people. If you have a chance, spare me five minutes of your time to have a read.




Clones

by Chris Ward

The news often fills air time with talk of cloning. It is possible, they say, to replicate a human body, a human mind. To make two of one, four of one, fifty million of one.

In the schoolyard I was nothing. Pushed into a corner, backed up against a wall, shoved down against the ground. Metaphorically speaking, of course. Bombarded by a battering ram of words.
I didn’t know it then, but I wished I was a clone. I liked me. No one else did. I wanted to be me, but somewhere else. Somewhere kinder.

I remember that summer, in that field along the coast a little ways from Fowey. The caravan, the endless games of UNO in the rain, the swimming pool on the warm August days. The little “play” area where the kids hung out, with the jukebox and the pinball machines, the table tennis table. The beach, across the road from the summer camp, where I saw her for the first time.

This is all about a girl, you see.

I had stupid hair. Pulled through one of those hair nets and bleached, we left the peroxide on too long, my buddy and me. His hair, darker, could take it. Mine, fairer, went as bright as the summer sun. Straw-bright, the kids at school said. Wursel Gummage, they called me, after the John Pertwee character. I’m sure none of them had ever seen the old TV show, but kids have a way of knowing. Ways of hurting seem to float through the air like balloons, drifting from one generation to the next, waiting to be plucked and popped.

They put gum in it. Gave me dead arms, just because. Laughed. Joked. And I wished I could be someone else, still me but not me. A clone.

Amy was a year younger than me, she said. Fifteen. Scrawny but cute, her hair pulled back into a neat ponytail, held tight with a little green scrunchie.

I like your hair,’ she told me. She actually used those words. It’s been years, and many of the details have faded, but I remember those words exactly. She may or may not have said, ‘You’re cool’, but that first line was enough.

I met her in that room at the holiday park, the play room. Next to the pinball table. She saw me standing there, as they say. We talked awhile about nothing, about the songs on the jukebox neither of us liked. The sun went down, and we took a walk down to the beach.

I was cloned.

Nothing much happened, just a bit of fooling around. We were young, she was cute, I was a deadbeat in another world a million miles away. But we kissed, we held hands, we lay down on the warm sand for a while.

Behind us, on the road, local chav kids revved their souped-up cars and tore along the seafront, but in our little bubble we were safe.

Next year?’ she begged me. ‘Ask them.’ Meaning my parents. ‘The same week of August. We’ll see each other again.’ And she placed a hand over mine.

Cloned, I returned to school. Got a basketball thrown in my face which flattened my nose. Shaved my head, watched it grow back, light brown, like before. The seasons turned, and the holiday park - and Amy - rode back around.

We were a week late. Dad’s work, Mum’s appointments. Our holidays overlapped by a day. That day, our first, Amy’s last, I dashed down to the beach. There I found sirens, an ambulance, someone sewn up inside a bag. A souped-up car on its side, a dark stain I couldn’t look at a couple of feet out from the pavement, as if someone had dropped a bag of copper-coloured ink on the road.

A woman was screaming, over by the ambulance. I guess they could have been related, Amy and her. I didn’t see, I couldn’t ask.

Perhaps she had hoped to find me down there on the beach beyond that hazardous road, in amongst the sand dunes. Perhaps her parents had stopped the car for her to take one last look.

Maybe it wasn’t her, but I’ll never know.

I didn’t read about it in the newspapers or see it on the television. I didn’t want to look. I returned to school a week later, cloned.

The years drove slowly past like a commuter train overtaking a car, stretching me up towards the sky and stacking meat on my bones. I grew bigger, stronger, the line of my jaw grew tighter and no one any longer bothered this clone. I sailed through university with a gentle following breeze, tore down the rapids of my twenties and drifted out into the lake of my thirties, peaceful and placid.

I married, divorced, had a kid, lost a kid, got a kid back. I cloned myself through so many jobs I lost count of them.

Around my fortieth birthday I wanted Amy back. I joined that social networking site – you know the one, I’m sure – and I trawled through Amys for hours. Blonde hair, black hair, brown hair, red hair, blue eyes, green eyes, brown eyes, snake eyes (!), and there she was filled out, thicker round the neck but still the Amy I remembered, cloned.

I emailed her: I’d like to see you again.

She had never heard of me before. Never set foot in Cornwall, let alone that holiday camp in Fowey. She was seven years older than me.

I searched, and there she was again. A little thinner than I remembered, her hair prematurely grey, but those same eyes.

She agreed to meet me.

Over coffee we talked. She agreed with everything I said. ‘Oh, we had great times, didn’t we? On that quiet little beach? Listen, are you free this weekend? How about we go away?’

Do you remember how many times you beat me at pool in that play room?’ I asked her. ‘Dozens,’ she said, and I told her goodbye. She had won at pinball, I remember, but never on a pool table that didn’t exist. Amy’s clone, so lonely, so lost, so desperate for a companion, cried off into the night.
I continued to meet Amy’s clones. Some of them were pleasant, friendly, and as attractive in their mid-forties as she had been at a tender fifteen. I dated a few, even, one for as much as six months. The spectre of Amy waited at the shoulder of every one of her clones though, and that always drew me away.

Eventually I had to shed my clones and return, have them bend before me to form a tunnel back to my youth and that day on the treacherous stretch of road that separated the beach from the holiday camp.

I found the holiday camp gone, replaced by a shopping mall. The beach, now developed with a wooden promenade where the dunes had rolled, was emptier than ever. I walked there for a while, calling her name softly under my breath, humming it like the forgotten lyrics to a song.

I wondered where I was going. I walked down to the shoreline, let my toes make trails in the wet sand. Then, back to the edge of the promenade, to that place where our clones had once sat, kissed, held hands and talked about stupid things. I sat down, wondering if I was still a clone or whether this was the real me.

I lay back, looking up at the sky. For a moment part of the fluffy cloud above me seemed to shift, and briefly it formed Amy’s face.

Another clone. Nature made them too.

I closed my eyes, and again I was back there on the beach as the sun went down, the hands of a girl I would never see again held gently in mine. Silently I wept, for what had been, what was, what might have been, and what would never be.

I was sure I could hear clones everywhere crying.

End.

Clones is available along with several other similarly themed short stories in my collection, Five Tales of Loss.

Saturday, 15 March 2014

Restarting on Rise of the Governor

This might surprise some of you (sadden, even...? :-) ) but I've aborted my first attempt at the Tube Riders prequel, The Rise of the Governor, and start more or less over.

Why?, I hear you screaming in your millions ....

Basically, while I was writing the story I wanted to write, I wasn't writing it in the way I wanted to write it. I had decided to get all arty, with a weird title, strange flashbacks, and a gradual build up of emotional turmoil, but I had an epiphany a couple of days ago and realised I wasn't writing a Tube Riders book.

And since the whole point of writing a Tube Riders prequel is to write a Tube Riders book, then I need to ditch the art project and write that instead.

Yes, so most of the characters will be different, but this is the entire history of why Mega Britain is Mega Britain and because only Tube Riders fans care about that I have to write a book for them - for YOU - not for me.

Of course, there will be some crossover, haha. I don't think I could do anything else. But all the elements that made Tube Riders awesome will be in there, in place of all the internal dialogues and emotional turmoil that was starting to take over the manuscript.

It's not all bad news. No words are every wasted and while many of the 30,000 I've written so far won't make it into the final book, I feel like I've been hanging out with the characters a while and I know them a lot better. It's always easier to write a book when you know your setting. And there's lots of kick ass stuff that will move over to the new version - crashed spaceships and gulags and mutant killer hounds and crazy Russian superhumans - I'll just be setting it out in a slightly different way.

Onwards and upwards. I'll keep you posted on progress.

Chris Ward
March 16th 2014

Thursday, 27 February 2014

Blog hop - what I'm working on now

My friend Suzie O’Connell, writer of the very successful Northstar Angels romance series recently tagged me in a blog hop to talk a little about my current projects and what I write. Thanks, Suzie, for tagging me. Here goes …

What am I working on?

My primary work in progress at the moment is a prequel to my Tube Riders Trilogy. The overview title is Rise of the Governor, but I have another title in mind which is underwraps for now. The reason being that I’m still trying to structure the story and I’m unsure how many parts it will end up as. The Tube Riders Trilogy tales place over three years, and came out at 450,000 words. The Governor’s backstory encompasses almost 140 years! It’s likely to be a trilogy, focusing on three key stages in his life. I won’t lie and say that part of me isn’t doing this because of the added financial incentives of writing a trilogy, because in a way it is. However, I never scrimp the reader. Each book will be long, and it will be a complete story, full of action, tragedy, heartbreak, and all the other stuff my fans have come to expect.

In addition to this, I’ve been doing a few other bits and bobs. I write sports stories under a pen name (Michael White), and I’m just finishing up the sixth in the series. After Tube Riders, they’re my biggest sellers these days. On top of that, I recently had a halleluiah moment when I figured out how to do page numbering for paperbacks, at long last. For a long time my personal finances have meant I could only afford to pay a formatter to do my longer novels, but now that I can do internal paperback formatting myself all of my novellas and collections will soon be available in paperback. Just yesterday I commissioned the covers of my comedy novellas (under the name of Michael S. Hunter) to be expanded into paperback covers, so they should be available within a week or two. All my short story collections will soon follow.

And the final thing is the Tube Riders boxed set. I’m currently using my spare moments to do the hyperlinked table of contents. It’s time consuming…

How does my work differ from others in the genre?

My main work, The Tube Riders books, is dystopia with trains. That, as far as I can find, is completely unique in the genre. I am a trendsetter, not a follower. I have never once tried to write a book because “that’s what’s popular now”. That’s lame. In years to come people will praise me as the man who made trains cool. I mean, come on, what’s not to like? They’re these massive, noisy, snake-like machines that can go at huge speeds. Tube Riding should be more popular than soccer, because its way more exciting, if a little dangerous…

Why do I write what I write?

I just love writing. Genre isn’t so important for me, because I’ve written in many different genres. My stories do follow a common theme though, and that is that they are low on tech but high on human interactions. So, in a sense, I guess, my writing is about examining the human condition.

How does my writing process work?

It’s gone through a number of transformations over the years, but right now I try to write the first drafts as quickly as possible. I write hard, and I write every day. I work full time, so I can’t write massive amounts, but I aim for around 2,000 words a day. This year so far I’ve written 107,348 words. I’m not happy, but I’m satisfied. And yes, I keep a spreadsheet…! Deadlines and targets are everything for me, so I keep a record of daily/monthly/yearly wordcounts, averages per day/month/year, etc. There’s always a target somewhere to push me on for another couple of hundred words.

Once the draft is done, it goes on the shelf. Everyone works differently, but I like to leave my drafts to mature until I can barely remember the plot. A couple of months at least. Then I can go back to it with a fresh set of eyes. Depending on how bad it is (they’re always bad), I’ll give it three or four edit passes before it goes on to an editor/proofreader. I’m a perfectionist and I trust my own vision. That’s not to say that if an editor, proofreader or beta reader comes back and says they don’t like something I ignore it, because I don’t. I make changes where necessary. But 99% of what you see in the final book is me. 

Then, when it’s published, I’ll have a can of beer, take a day off (during which my free time always feels completely empty) and then I’ll get back into something else. I can’t usually start a new novel off the cuff, so I do things like edit old stories for a day or two, change some covers, update my book details in my other books. Usually within a week or so I can get into the next project.

I’ve seen a lot of criticism of people who write fast, but I disagree. In practically every other pastime, the most you practice, the better you get. It’s the same with writing. My output is puny compared to some guys I know, but the more I write the better I write. Also, the more ideas you get, the more seem to come. It’s all part of brain exercise. I’m not overly prolific when it comes to coming up with ideas, but I have more than I can write over the next year already queued up. And by next year … I’ll probably be facing the same problem. It’s a good problem to have.
 
Remember, The Tube Riders is now permanently free. Also, there will exclusive (and free) content coming soon for mailing list subscribers. Sign up here so you don't miss out.

Chris Ward
February 28th 2014

Sunday, 16 February 2014

The latest WIP is finished! (and more news)

Got over the line in the latest book last night. The first draft came in at 94,560 words. It was a lot sparser than some of my other drafts so I'm fully expecting to add a few thousand words in the first revision, but its always nice to get that first draft done.

I started it properly around the end of December, and finished it within two months, which is the fastest I've ever written a full novel. In fact, I wrote it so fast that it almost doesn't feel like a novel at all, but a 300-page short story.

In any case, while its a little rough around the edges it was full-on sci-fi thriller action adventure that should appeal to fans of my Tube Riders series. There's even a little link in there to Tube Riders, suggesting that both stories take place in the same world. It's up to the reader to spot it!

I always thought of myself as a bit of a literary fiction writer but I find writing kickass action sequences and cool plot twists so easy that it's hard to stop writing that kind of book. Still, as long as I'm enjoying myself I'm confident that the readers will be happy too.

So what's up next?

I set myself a goal to write four full novels in 2014, so to have finished the first one by mid-February puts me ahead of the game. I'm going to take a couple of days off to work on some other stuff such as formatting, editing a couple of short stories, and perhaps dredging up one of the trunk novels for a bit of a refresh.

One big Tube Riders thing that's in the works is an ebook boxed set, containing all three novels, all the short stories and an interview with me. If anyone has any questions you'd like me to answer regarding the events in the series, please post them below or PM me through Facebook if they contain spoilers.

And then of course, the next major project will be the Tube Riders prequel, currently titled The Rise of the Governor. While I've been writing the current book I've found it hard to get out of my mind, and although I did a bit of a false start on it last year this time it will be getting my undivided attention.

It's going to be difficult to write in a sense, because the central character is the most hated man in the Tube Riders world. I have to make him a bad guy again but also relatable in his circumstances. While there probably won't be any tube riding in it (I'm saving that for another book for later in the year) it will possibly link to one or two characters from the series as well as introducing a few new ones. It'll be dark, scary and badass. It'll be full of action and heartbreak and all the other cool stuff you've come to expect from the Tube Riders book. I promise you now - this book will be so astonishingly good that it'll make the Tube Riders Trilogy look like it was written by a four-year-old. Trust me on this. The Rise of the Governor is coming. Be afraid, and be very, very excited ....

And in the meantime, remind your friends that Tube Riders book 1 is still perma-free. Ten days as the best"selling" free book in the UK now with almost 4000 downloads. The Brits are loving a bit of chaos on the London Underground, so its time for readers across the pond to catch up. It was recently described as "Dystopian Perfection" in a review, so I hope you're paying attention. I'm bringing the badassness, and I hope you're taking it away into a dark corner and reading the shit out of it.

Laters.

Chris Ward
Feb 17th 2014

Saturday, 1 February 2014

The Tube Riders is now perma-free

With Exile and Revenge now published and available, I have had the first book in the series, The Tube Riders, price matched to zero on Amazon. That's right, it's completely FREE.

Last night Amazon USA price matched The Tube Riders to free and with no promotion so far it has risen to #638 in the free store, #1 in Genetic Engineering and #9 in Dystopian. I want that #1 spot in Dystopian so give me a hand by downloading the book and sharing the news on your blogs and Facebook pages.

Thanks very much! Enjoy reading my baby. It was a joy to write, and I hope it will be a joy for you to read.

 

FREE at Smashwords (all formats)



Available NOW

Monday, 27 January 2014

Update on the current WIP

My current WIP has now passed 52,000 words, which is longer than a lot of finished novels, so I feel that I can safely say that I'll finish this one. With that in mind, I thought I'd give you a few words about it.

It's a throwback technological horror, set in a study camp in Japan, based on the one I went to with some students back in December. In true writer style, I decided to complete reimagine it and use it for the backdrop for a whole bunch of nasty goings on.

A group of disillusioned students show up at the camp in early December. The place is almost deserted other than for a metal band who took a wrong turn and were forced to stop overnight. However, when evening comes, so does a freak blizzard, cutting the guests off from the rest of the world. Then, some of the students start to get sick. As most of the guests leave to find help, a small group are left behind, only to discover that a strange bird-like creature is terrorising them. Things are about to get a lot worse, though, as the bird-like creature is just the start. There are bigger, more dangerous things out there in the woods, and they're very hungry ...

My original working title was "Mutant Killer Bears", but I felt that gave the plot away a bit too much, haha. Now it's "They Came Out After Dark" but its still subject to change ...

I started out writing horror novels about fifteen years ago, and this one is back to my roots a little. It's getting a little more emotionally deep than I intended, but I wanted it to be fun and exciting more than anything. I'm hoping to finish it by mid-February, after which I'll leave it on the shelf for a couple of months while I work on some more Tube Riders-related stuff.

Okay, back to it.

Laters,

Chris Ward
January 28th 2013.

P.S. ooh, tomorrow is my birthday ...

Monday, 30 December 2013

Revenge has gone off to the proofreader

Tube Riders: Revenge is in its final stages of production. I hope to be bringing that bad boy to you in the next couple of weeks. If you thought Exile was good, just wait. Revenge takes the Tube Riders story to another level. Possibly the best book I've ever written.

And tomorrow is another year. There will be no respite, I'll be coming out of the blocks and starting immediately on the next book. I can't tell you want it'll be yet, because I haven't decided where to focus my concentration, but I have a number of options available and whichever one I chose it'll be awesome, so look out for that in a couple of months.

In the meantime, my book Man Who Built the World is currently reduced in price, so if you haven't read it and plan to, now is a good time. It's my highest rated book and, if I do say so myself, astonishingly good, haha.

Happy new year to everyone. See you again soon.

Chris Ward
31st December 2013

Friday, 27 December 2013

A Merry Xmas to you all

A very Merry Xmas to you all from me, Chris Ward, here at A Million Miles from Anywhere. I hope you had a great Xmas with your families and whatnot and that you have another great time at New Year.

For me, being in Japan, Xmas was unusual as always. I usually have to work as Xmas isn't a national holiday here, but this year I took the 25th to the 27th off and went up to Hokkaido with the wife for a couple of days for a look around. I'll be posting pictures and stuff on my other blog, Living in Nagano, over the next couple of days.

Back to the books. Exile is out now and available for your reading pleasure. Not being one to keep you waiting long, Revenge is just around the corner. I got it back from the editor a couple of days ago and as I have all of next week off I hope to have it ready to go fairly soon.

In addition to this, on January 6th, The Tube Riders will become available as part of an eleven-book dystopian boxed set featuring several luminaries of the sci-fi and dystopian field. I'm hopeful that this will expose the book to many new fans, as well as introducing Tube Riders fans to other great writers.

Okay, that's all for now.

See you soon,

Chris Ward
December 27th 2013

Saturday, 21 December 2013

The Tube Riders: Revenge cover art

Now that Exile is finally out, its time to reveal the covers for Revenge, which will be published in January, all being well.

First up, the ebook -






Those eyes, of course, belong to the Governor, and that thing that looks a bit like a mouth (intentionally so!) is a burning train.

And the paperback -


On the back cover is Clifton Suspension bridge in Bristol. Yes, we used the same picture for Head of Words. While there is no overlap in the stories, there is a little overlap in the settings.

Again, these were the work of my regular cover designer, Su Halfwerk at www.novelprevue, and again she did a great job.

I hope you're enjoying Exile and looking forward to Revenge! If readers enjoy it half as much as I enjoyed writing it, then my job is done!

More news soon.

Chris Ward
December 22nd 2013

Tuesday, 26 November 2013

Exile release date ...

Okay, the time for talking is done. The Tube Riders: Exile will be released on December 16th 2013, come hell or highwater. There will be no delays or date changes. The book will be out on that day unless I get pancaked by a steamroller or something (I'm touching the wooden tabletop right now so hopefully not!). I'm also intrigued to discover that "to pancake" is actually a verb. Will be using that one...!

In better news, I'm almost done revising Revenge, so you should only have to wait a month or so for that badboy to drop as well.

So, let's have another look at that fine cover ...


DECEMBER 16th 2013



Sunday, 24 November 2013

Edits are done!

Yes, you read that right. I've finished editing Tube Riders: Exile, someone else has finished editing Tube Riders: Exile and the corrections have been made. I've sent it out to a last proofreader for a final check and shortly after it will be available. I can't give you an exact date yet because I haven't decided it, but it will be early to mid December.

I finished the first draft in February, as you might remember me saying. That's nine months of messing around, rewriting, reworking and generally struggling (oh, and I wrote another Tube Riders book in the middle there ...). This was definitely the hardest book I've ever written. I think, though, that it came out okay. Some betas have said its as good as the first book, others have said its better. I'd settle for almost as good. I guess the readers will decide.

The return of Marta Banks and the Tube Riders is coming soon ....


And in the meantime, if you haven't read it yet, The Tube Riders (book 1 in the series) will be $0.99 until the release of Exile.

http://www.amazon.com/Tube-Riders-Trilogy-ebook/dp/B007LVFSP8/ref=sr_1_1?ie=UTF8&qid=1385295778&sr=8-1&keywords=the+tube+riders


Buy it here or click the pic.

Chris Ward
November 24th 2013


Thursday, 21 November 2013

Update November 23rd

I just got back from a two week teachers' conference up in the mountainous hills above Matsumoto in Nagano pref, Japan. Had an interesting time although it was a bit chilly.

Came back down the mountain to two bits of good news. The first was that England were smashing Australia in the cricket, and the second was that my editor had finished with Exile. Even better, he thought it rocked. For the last ten months of battle I've been worried it would suck, but that bodes well. Now just to make the corrections and change one or two minor things and then its off to the formatter.

More news coming soon ...


Chris Ward

November 23rd 2013

Monday, 18 November 2013

What I did today Monday 18th of November

Pretty quiet day at work today. Had to do speaking tests for one of my classes and then some speech contest practice after school. In the evening I went to the local insurance place to get a discount voucher for my second cat's neutering operation. Of course, in true Japan style, even though I went to the place the vet told me to go to, they told me I had to go to another place halfway across the city. It being 6 p.m., I didn't really have time, so it'll have to wait. Sometimes you think it would be easier to just pay for these things.

In writing related news, I got the cover back for Tube Riders: Revenge. It looks awesome, but I won't be revealing it until after Exile comes out. So stay tuned for that. I also got a few more chapters of the third draft of Revenge done, and its looking great. One chapter felt like the best thing I'd ever written. It was just perfect. Pretty sure no one will notice, but well ... :-) Two more hours of painting ceilings took up most of my writing time unfortunately. Tomorrow I'm working until 9pm, and Wed/Thurs I'm going to an English teacher's conference, so there won't be much writing for a few days, unfortunately. More updates soon ...

Chris Ward
18th November 2013

Sunday, 17 November 2013

What I did today Sun 17th November

I've not had a lot to say on the blog recently so I thought I'd change tack a little bit for a while and use it more like a diary. I'm not sure how much my boring life will interest people but here are a few of my thoughts for today.

So, what did I do today?

First up, I went over to my new (old) house and continued the renovation work on the man cave / office room. This is a tiny room about 2.5m square at the back of the house, facing on to the neighbour's tiny back garden. It's wood framed so the other day I went out and bought what I thought looked like a nice colour but what actually turned out to be a poo-brown. Still, once I had the paint I thought I might as well use it, so now the wooden frames and the crossbeams of the ceiling are a fetching warm brown. Figuring white would go well with it, yesterday I painted the inner window frame (also wood) and this morning I was putting on a base layer of white paint across the ceiling with the hope of it brightening the room up a bit. Next week I'm hoping to be ready to wallpaper and then put some kind of carpeting down.

After a very brief lunch I had to go to a high school speech contest at a local college. For those who don't know, my day job is as any assistant language teacher in a Japanese high school, in Nagano, a smallish city in the Japan Alps. In this contest I had one student from one school doing the speech, and two from my other school (my "visit" school - I go there on Tuesdays and Thursdays) doing the recital. My speech student came second, which was nice. My other students didn't place unfortunately, but their pronunciation was beautiful, and I think if the judges weren't so taken in by all the wild gestures and dramatics of some of the other students they would have placed higher. Still, they're only first years so its good experience if they do it next year.

One thing I learned, actually, from the speech contest and my reactions to some of the OTT speeches, is that you can't lie to your audience. As a speech coach I insist on students acting natural, being believable. If a student is doing a speech about a trip to Germany, I want to believe that they have actually been there. Same with fiction. I want to believe it isn't fiction. I want to believe it's something that actually happened.

Afterwards, I came home, put out the trash and went for a jog. Up to 2010 I used to run half-marathons quite regularly, and actually completed Nagano full marathon (which half killed me). In the last 18 months I've been writing like a demon with over half a million words chalked up, about the same I produced in the eight or nine years previously, but one thing all that sitting around does it get you fat. I've gained a good five kilos in that time, so I figured it was time to start taking it off. I did about 5km in 31 minutes which is nothing special but a decent start. Got a feeling I'm going to hurt tomorrow ...

And so if you've trawled this far through my not particularly interesting day I'll give you the best writing updates that I can right now. Exile is finished and with the editor. I'm hoping to get it back within the next week or so. Revenge is also finished. I'm currently going through it for the third time, mostly fine-tuning and making sure the character motivation is right. For example, for a character to decide to do something major they have to be seen to be coming to that decision, they can't just do it without prior warning. I've added in a couple of extra chapters. The cover is almost finished too. I'm expecting it back in a couple of days. I've seen a draft and its proper badass. I'll be keeping it under wraps until after Exile is out, though.

I've also be thinking about plans for next year. I want to keep stepping up the writing and produce more books, so I've set a tentative plan to write four novels, each taking two months with the interim months for editing and stuff. I'd also like to get out a trunk novel, so best case scenario would be five new novels. What they'll be, I can't say. While the Tube Riders main story is done, there is plenty of scope for further stories within the same world, so I'll be thinking about some of those. I also have half a horror novel I want to finish. I'd like to do another novella in my Beat Down series under a pen name. No one buys them (the first is free on Amazon) but they're fun to write. We'll see.

Anyway, there's still an hour or so left in the day so I need to go and see what Marta Banks and friends are up to ...

Chris Ward
Sunday 17th November

Wednesday, 6 November 2013

The bloopers reel

Yes, I'm a borderline genius and yes, The Tube Riders is a book that far too few people have been lucky enough to read, but my first drafts can still be pretty ropey. I just finished the second draft of Revenge (Exile is on the editor's desk, if you're wondering) and here's a few shockers that I picked out. See if you can figure out what the hell these sentences were supposed to be ...

... basically, his character was floored.

The room was furnished with old but adequate tables and conches.

The road was bumpy from tree routes.

... rolling over out of site.

In one bottom corner of the slap ...

Her voice had blasted out of that speaker, so full of home.

... the family of his surroundings ...

... doing a sweep across the sitting.

Behind him came a rustle of moment.

... for one many to find three people.

His face was read and flustered.

… as he shook off his own cuffs, not even looked …



Yeah, I'm pretty embarrassed, haha. But the book absolutely ROCKS, and it will be following closely on the heels of Exile once that one is out. No more 18 month waits, I promise. I learned from all the issues I had while writing Exile and so the first draft of Revenge was significantly tighter from the start. I have to add a couple of bits in there, but nothing much.

Dates coming soon.

Chris Ward
7th November 2013

Monday, 28 October 2013

Revenge teaser snippet

Okay, so this is jumping the gun a bit and I know I said I'd shut up until Exile was done, but there is a bit of news. Exile is now in my editor's queue, as in, I've finished what I needed to do with it and its gone for its polishing. I've also commissioned the cover for Tube Riders: Revenge, which I'm now working through in second draft.

And as always when I go over a book I've had on the shelf for a while, I come across little sections that I just love, so I thought I'd share one with you today, from fairly early in the book.

I'm not saying who this character is. You can guess, but I'm keeping my lips sealed for now ...


Slight vibrations buzzed in his hands, and he knew that in a lab somewhere they were testing the electrical connections in case he was having second thoughts. They always did this; the government was like a little monkey on his back whispering into his ear, reminding him what it would feel like if he disobeyed.
He didn’t want to pull off his clothes, but he was tired, it was warm, and he never slept well in his boots. He unlaced them and slid them down over his feet, pulling off the black, holey socks to reveal one normal human foot and one plastic molded lump with rounded outcrops for toes. It fused seamlessly with his skin just below the ankle, the synthetic skin that covered the flexible plastic barely discernible from human skin except for its greater elasticity, its hairlessness, and that he felt nothing when he touched it except a tug on the skin of his lower leg.
He hated the foot. He didn’t care about the scars that cross-crossed his body because they scared people away and no woman that he wanted would turn down the money he could offer, but the foot … it was his leash. It reminded him every moment of every day that he was a government dog and even the casual freedom that anarchists and dissenters claimed within the walls of London was not his to share.

He rolled over and pulled a blanket over him, hiding it.


Chris Ward
29th October 2013

Sunday, 20 October 2013

The Gravedigger

Something a little random for you today.

I'll have news on the next Tube Riders release very soon - yes, really! - but in the meantime I was going through the files and found something I'd almost forgotten about which you might find interesting.

Fans of the Tube Riders will know what happened at the end of the first book, and so of course the second book takes place mostly in France. I wasn't quite sure what the Tube Riders would find there, so I did a number of sketches - outtakes, mostly - of the beginning of the novel, envisaging France in a number of different ways. In the end I played it pretty safe, but for a while I wanted it to be this nuclear holocaust post-apocalyptic wasteland.

I'd just bought the brilliant new Mark Lanegan CD, and the first track is called "The Gravedigger's Song". What an awesome name for a character, I thought. So, I decided to have a "gravedigger" of some kind in Exile.

What follows below is an aborted beginning to Exile, featuring the character of the Gravedigger. The character actually survived into the book proper, however, for better or worse, the landscape did not.

Chris Ward
October 21st 2013



The Gravedigger

   It had been another long, tiring day of burying the dead.

   To the west, a crimson pool was seeping like blood across what was left of the afternoon sky. The gravedigger cocked one eye heavenward, curled a lip back to reveal dirty metallic teeth held crookedly by failing, inflamed gums that mirrored the fiery colour of the sky, and drew in a deep ragged breath.

   ‘Ahhh!’ he roared, his stomach contracting as if he meant to vomit, the single chilling word ejected from his throat like a foreign body, as one arm rose the rusty, muddied spade high up into the air like a challenge to the fading sun.

   From a copse of trees to the east came a cacophony of bird cries. With a flurry of wings a flock of crows took to flight, little more than black shadows as they raced from east to west across in front of him.

   The gravedigger slammed the spade down into the ground like a defiant Roman legionary planting a standard in the face of an enemy onslaught. His other arm shot up, ramrod straight, two remaining fingers either side of cauterized stubs marking the fleeing birds like a gun sight.

   There was a bright flash followed by twin squawks, part of pain, part of surprise.  Two birds fell dead out of the sky, the sound of their landing hidden by the terrified cries of the others.

   The gravedigger chuckled deep in his throat. He looked down to see that he’d planted the spade into the breastbone of a decomposed corpse, breaking open the rotted chest cavity with the force of the blow. The man – he assumed it had been a man from the broader shoulders – lay three feet below the surface of the ground on the top of a stack of other bodies the gravedigger had been charged with burying today. There were eight in the grave, the gravedigger’s lucky number, because, back in the day, that was the number of times he’d got laid, but it made a good, even number in a six foot pit in any case.

   And the animals climbed in two by two . . .

He’d dug, filled and covered four other graves today. A quiet day as it went. Twice this week he’d dug ten, and as the disease showed no signs of abating, he might top that yet. Monday tended to be a quiet day because most people died on weekends, it seemed.

He stomped off towards where he’d seen the birds fall. If he was lucky they’d still be warm, as he liked them. If not, he’d eat them anyway.

He heard a roaring sound to the south and habit made him glance back. It was just one of the trains, rocketing across the countryside, cutting through the hills like a spade through mud, along the main Paris to Nice trunk line. Damn, those things flew.  Steam locomotives, too, billowing clouds of stinky shit out behind them like a dirty cloud of fart. Back and forth from the fucking cities like yoyos, ignoring all the shit and the filth in the countryside as if it didn’t exist.

And people said Britain had it bad.

The gravedigger reached the spot where the birds had fallen. One of them was still twitching, so he ate that one first, stuffing it into the metallic mess of his mouth and ripping through it, feathers, beak, bones, everything. He would puke up later what his body didn’t want.

He did the same with the second bird, although that one wasn’t as tasty, being dead as it was. Still, it was food, better than most of the country folk ever got.

Not for the first time in his life the gravedigger thanked those scientist bastards for messing around with his insides. He felt like an outcast and society had labelled him so, but in these war-torn times a body more resilient than the rest was proving a godsend.

The gravedigger turned back towards the graves. In a hollow somewhere beyond he could see wisps of smoke rising from what was left of the nearest village. A plane had come over yesterday and nailed it, which the gravedigger didn’t really care too much about because it gave him plenty more stiffs to bury, and plenty more commission from the government as a result.


He decided to quit for the day. The human part of his mind still felt tiredness, and shoveling could be draining work, particularly in hard ground. Back at the graveside he hefted a bag containing various tools, some spare clothes and a few trinkets he had collected over the past weeks over his shoulder, tucked the spade under one arm and headed off in the direction of the village. There, if he could find a house with a roof he would find shelter, as most families had fled and those that hadn’t wouldn’t refuse a gravedigger hospitality. Some of the old values still stood, after all.


Sunday, 29 September 2013

Some nice new reviews for Tube Riders

Just like all writers, I love getting (nice) reviews.

Tube Riders had been a bit of a review black hole since June, but since the sampler of part one went perma-free at the beginning of September I've had a small clutch of them.

Tami H said -

This book had me reading until the sun came up and even then I did not want to put this book down. Amazing plot with new twists every five pages I would recommend this book to anyone

(five stars)

Margaret Falcon said -

I highly recommend this book. The characters are engaging and dynamic. The story line as lots of twists and turns. Very good read!

(five stars)

Everyones acritic said -

I gave this book 4 stars because it was original, entertaining to read, and gave me a new way to ride the subway! Crazy kids...they'll try anything just because the world is ending!

(four stars)

and Greg Strandberg posted one on the sampler itself -

 This book grabbed me right away with the fast and action-packed train sequence in the beginning. The dialogue and character interactions kept things moving after that. It's clear that Ward likes to put some off-putting dialogue to work, which adds a gritty realism to the world he's created. Looks like a good start to a fun series!

(four stars)


You guys are all awesome. Thanks so much.

I don't usually post anything about reviews because they're not for me but for other readers, and I believe that all readers are entitled to their opinion, good or bad. Provided the review is fair (and actually about my book) then I welcome all and any. Sometimes, though, on bad days when the books aren't selling, a few nice reviews can really cheer you up.

If anyone's wondering, I'm editing Exile. About halfway at the moment. Still hoping to have both Exile and Revenge out by Xmas. This weekend I spent Saturday cutting rice and Sunday concreting, so unfortunately I have a busy "real" life, but I'm doing my best. Bear with me!

Don't forget to sign up to the mailing list above to make sure you know as soon as the next book is out.

Chris Ward
September 29th 2013

Friday, 6 September 2013

The Tube Riders: Part One - London is now free

For anyone wanting to test drive Tube Riders, part one of the first novel, approx. 215 pages, is now free on Amazon.


Using the original artwork from the first edition of the novel, I hope that this will allow readers to decide whether they want to continue reading the remainder of the series.

Download for free from Amazon US here or Smashwords here.

Happy reading!

Chris Ward
7th September 2013

Tuesday, 3 September 2013

And we're done ...

Yesterday I hammered out the last five thousand words of Tube Riders: Revenge, finishing the book up at ten minutes to midnight.

Then I had a little cry, and after that I went to buy a beer. Then I went to bed and at three thirty a.m. I got back up to feed the cat. Such is life.

That's it, done. You have no idea how I feel right now. Partly empty, with a huge gap in my free time that I'm going to fill for a couple of days doing absolutely nothing (okay, so I'm going to read a book, or maybe edit a couple of short stories, or write one or two more ... okay, you get it, I have no trouble filling my free time, "free" is a concept that doesn't really exist), and partly relieved. It's over. It's finished.

I wrote the short story Tube Riders in 2002. It was published in a special edition of a little magazine called Not One of Us in 2007 and I later published it myself in my collection Ms Ito's Bird and Other Stories.

In 2009, looking for a novel idea, I turned my mind back over my short stories and thought that the one with the kids hanging off the sides of a train might work. I got a piece of A3 paper, covered it with lines and scribbles, and what would become a 600 page novel was born.

It was originally never intended to be a trilogy. I don't like series - I don't like reading them and I don't much like writing them either. I actually prefer books which have a single enclosed story, but I found at the end of The Tube Riders that it was just part one of what would need to be a wider story if I was to really show what happened to the likes of Marta, Switch, Paul, Owen, Dreggo and even the horrible old Governor.

Until I come to self-publish it in March 2012 I had no real motivation to write any more. I had failed to sell it to publishers despite it being everything a commercially successful book needs, and I felt pretty much down about the whole writing thing. At pretty much my lowest ebb as a writer, I decided to give it a shot out in the world and it did okay. Not spectacular, but the reviews were decent, and finally I really felt like I needed to complete the story.

I wrote Tube Riders: Exile (TR#2) between September 2012 and February 2013. I hadn't really written anything in three years up to that point, and while its got a good story I was a bit ring rusty. I worked for a while on editing it, but then released that the third part in the trilogy, Revenge, was calling out to be written. So I shelved Exile for a while and got to work.

Thanks to the encouragement from several writer friends, I busted my ass to get this book done. And in less than three months - the quickest I have ever written a novel - I got to the end.

At 132,010 words, the first draft is a lot short than both book one and book two, but I tend to add a lot of detail in when I rewrite, so it'll probably end up a similar length. I think it's a good book. It's tighter, leaner and is absolutely relentless. There's no fat on this book at all, and I think it's a worthy end to the trilogy. I as certainly cut up writing the final scene yesterday.

So what happens now?

First, I'm going on holiday, next week in fact. I'm going to stay away from writing and stay away from the internet as much as possible - unlikely, but I'll try ... - and just relax for once. At the same time, though, I'm going to reread book one and make any minor changes that I feel necessary. I won't be changing the plot, but its my book and with the series now finished there might be one or two places I feel that clarification is necessary so I'll do what has to be done. Plus, a polish never hurts. Apologies to anyone who's read it who feels the need to read it again - you can get a free update from Amazon.

Then I'm going to begin the biggest task - revising Exile. I'm feeling sharp now and in control so it shouldn't take too long. Then, now the cover is done and the formatting has been commissioned I'll be putting it out for your appraisal. And then it'll be on to Revenge.

I want both books out by Christmas. That's the plan. I want all those little Tube Rider computer pixels to be filling virtual stockings on Xmas Day, and then you can all find out what happens in the end to Marta Banks and her friends. It'll shock you, it'll horrify you, and it'll make you gasp with excitement. It'll be worth it, I promise.

In the meantime, thanks for sticking with me. The story is told. That's the hard part. Now I just have to get it cleaned and dressed and ready to step out into the world.

It was quite some ride ...


Chris Ward
3rd September 2013